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Evita Script - The Dialogue

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     EVITA

     Lyrics by TIM RICE

     Music by ANDREW LLOYD WEBBER



     ACT ONE



     1. A CINEMA IN BUENOS AIRES, 26 JULY 1952



     (An audience is watching a less than distinguished movie

     [in both the original London and New York productions

     of EVITA a clip from one of Eva Peron's own movies

     was used]. The soundtrack dialogue is in Spanish, the

     music melodramatic.)



     JULIETA

     Carlos.



     CARLOS

     Julieta, mi querida Julieta.



     JULIETA

     Carlos, no tendrías que haber venido.



     CARLOS

     Julieta, ni un millar de soldados me puede detener.



     JULIETA

     Pero es peligroso, mi padre te arrestará.



     CARLOS

     Tenía que venir.



     JULIETA

     ¡Carlos!



     CARLOS

     Hasta este momento, mis labios no han osado murmurar

     la palabra amor.



     JULIETA

     Carlos.



     CARLOS

     Y mucho más que eso, mi ser todo vibra de deseo. ¿Qué 

     fue eso? Algo se movió en el balcón de tu padre. Si

     fuera ese truhán de Rodolfo, juro que mi espada no

     permanecerá en su vaina.



     JULIETA

     ¡Carlos, ten cuidado! Te quiero, Carlos, te quiero.



     (Suddenly the film grinds to a halt.

     The people in the cinema begin to protest but are

     silenced by an announcement)



     THE VOICE OF THE CINEMA MANAGER

     It is my sad duty to inform you

     that Eva Peron, spiritual leader of the nation, entered

     immortality at 8:25 this evening.



     2. REQUIEM FOR EVITA / OH WHAT A CIRCUS



     (EVA's funeral. CHÈ is the only non-participant. He

     moves through the mourners, apparently unseen.)



     CROWD

     Requiem aeternum dona Evita

     Requiem aeternum dona Evita

     Requiem Evita

     Requiem Evita

     Evita

     Evita

     Evita

     Evita



     Requiem aeternum dona Evita

     Requiem aeternum dona Evita

     Requiem Evita

     Requiem Evita

     Evita

     Evita

     Evita

     Evita



     CHÈ

     Oh what a circus! Oh what a show!

     Argentina has gone to town

     Over the death of an actress called Eva Peron

     We've all gone crazy

     Mourning all day and mourning all night

     Falling over ourselves to get all of the misery right



     Oh what an exit! That's how to go!

     When they're ringing your curtain down

     Demand to be buried like Eva Peron

     It's quite a sunset

     And good for the country in a roundabout way

     We've made the front page of all the world's papers today



     But who is this Santa Evita?

     Why all this howling hysterical sorrow?

     What kind of goddess has lived among us?

     How will we ever get by without her?



     She had her moments--she had some style

     The best show in town was the crowd

     Outside the Casa Rosada crying, "Eva Peron"

     But that's all gone now

     As soon as the smoke from the funeral clears

     We're all going to see how she did nothing for years!



     CROWD

     Salve regina mater misericordiae

     Vita dulcedo et spes nostra

     Salve salve regina

     Ad te clamamus exules filii Eva

     Ad te suspiramus gementes et flentes

     O clemens o pia



     CHÈ

     You let down your people Evita

     You were supposed to have been immortal

     That's all they wanted

     Not much to ask for

     But in the end you could not deliver



     Sing you fools! But you got it wrong

     Enjoy your prayers because you haven't got long

     Your queen is dead, your king is through

     She's not coming back to you



     Show business kept us all alive

     Since 17 October 1945

     But the star has gone, the glamour's worn thin

     That's a pretty bad state for a state to be in



     Instead of government we had a stage

     Instead of ideas a prima donna's rage

     Instead of help we were given a crowd

     She didn't say much but she said it loud



     Sing you fools? But you got it wrong

     Enjoy your prayers because you haven't got long

     Your queen is dead, your king is through

     She's not coming back to you



     CROWD

     Salve regina mater misericordiae

     Vita dulcedo et spes nostra

     Salve salve regina Peron

     Ad te clamamus exules filii Eva

     Ad te suspiramus gementes et flentes

     O clemens o pia



     EVA (from offstage)



     Don't cry for me Argentina

     For I am ordinary, unimportant

     And undeserving of such attention

     Unless we all are--I think we all are



     So share my glory, so share my coffin

     So share my glory, so share my coffin



     CHÈ

     It's our funeral too



     3. ON THIS NIGHT OF A THOUSAND STARS / EVA AND MAGALDI / EVA BEWARE OF

     THE CITY



     (Flashback to 1934 and to a nightclub in Junin, EVA's

     home town. EVA DUARTE is fifteen. The cabaret

     is nearly over. MAGALDI is singing with great gusto.)



     CHÈ

     Now Eva Peron had every disadvantage you need if

     you're going to succeed. No money, no class, no father,

     no bright lights--there was nowhere she'd been at the age

     of fifteen, as this tango singer found out.

     Agustin Magaldi--who has the distinction of being the

     first man to be of use to Eva Duarte.



     MAGALDI (The final song of his act)

     On this night of a thousand stars

     Let me take you to heaven's door

     Where the music of love's guitars

     Plays for evermore!



     In the glow of those twinkling lights

     We shall love through eternity

     On this night in a million nights

     Fly away with me!



     I never dreamed that a kiss could be as sweet as this

     --now I know that it can

     I used to wander alone without a love of my own

     I was a desperate man

     But all my grief disappeared and all the sorrow I feared

     Wasn't there anymore

     On that magical day when you first came my way

     Mi amor!



     On this night

     On this night

     On this night of a thousand stars

     Let me take you to heaven's door

     Where the music of love's guitars

     Plays for evermore!



     (MAGALDI joins EVA and her family--mother, 3 sisters,

     brother--at their table. CHÈ is loitering nearby at the

     bar.)



     EVA

     To think that a man, as famous as you are, could love a

     poor little nothing like me!



     I want to be a part of B.A.--Buenos Aires--Big Apple!



     EVA and FAMILY

     She wants to be a part of B.A.--Buenos Aires--Big Apple!



     CHÈ

     Just listen to that! They're onto you Magaldi! I'd get out

     while you can



     EVA

     It's happened at last--I'm starting to get started--I'm

     moving out with my man



     MAGALDI

     Now Eva don't get carried away-



     EVA

     Monotony past--suburbia departed--who could ever be

     Fond of the back of beyond?



     MAGALDI

     Don't hear words that I didn't say



     EVA's FAMILY

     What's that? You'd desert the girl you love?



     MAGALDI

     The girl I love? What are you talking about?



     EVA's FAMILY

     She really brightened up your out of town engagement,

     She gave you all she had--she wasn't in your contract

     --You must be quite relieved that no-one's told the papers

     --So far-



     EVA

     I want to be a part of B.A.--Buenos Aires--Big Apple!

     Would I have done what I did if I hadn't thought, if I

     hadn't known, we would stay together?



     EVA's BROTHER

     Seems to me there's no point in resisting, she's made up

     Her mind, you've no choice. Why don't you be the man

     Who discovered her? You'll never be remembered for

     Your voice.



     MAGALDI

     The city can be paradise for those who have the cash, the

     Class and the connections--what you need to make a splash.

     The likes of you get swept up in the morning

     With the trash--if you were rich or middle class-



     EVA

     Screw the middle classes! I will never accept them!

     My father's other family were middle class

     And we were kept out of sight,

     Hidden from view, at his funeral!



     EVA's BROTHER

     Do all your one night stands give you this trouble?



     MAGALDI

     Eva, beware of the city

     It's hungry and cold, can't be controlled, it is mad

     Those who are fools are swallowed up whole

     And those who are not become

     What they should not become

     Changed--in short they go bad



     EVA

     Bad is good for me--I'm bored, so clean and so ignored

     I've only been predictable--respectable!

     Birds fly out of here so why oh why oh why the hell can't I

     I only want variety of society.

     I want to be a part of B.A.--Buenos Aires--Big Apple!



     EVA and FAMILY

     She wants to be a part of B.A.--Buenos Aires--Big Apple!



     MAGALDI

     Five years from now I shall come back

     And finally say, you have your way--come to town

     But you'll look at me with a foreigner's eyes

     The magical city a

     Younger girl's city, a

     Fantasy long since put down



     EVA

     All you've done to me--was that a young girl's fantasy?

     I played your city games alright--didn't I?

     I already know what cooks, how the dirty city feels and looks

     I tasted it last night, didn't I?

     I'm going to be a part of B.A.--Buenos Aires--Big Apple!



     EVA and FAMILY

     She's going to be a part of B.A.--Buenos Aires--Big Apple!



     MAGALDI

     Eva beware your ambition

     It's hungry and cold, can't be controlled, will run wild

     This in a man is a danger enough

     But you are a woman, not

     Even a woman, not

     Very much more than a child and whatever you say

     I'll not steal you away!



     4. BUENOS AIRES



     (EVA and MAGALDI arrive in Buenos Aires)



     EVA

     What's new Buenos Aires?

     I'm new--I want to say I'm just a little stuck on you

     You'll be on me too!



     I get out here Buenos Aires

     Stand back--you ought to know what'cha gonna get in me

     Just a little touch of star quality!

     Fill me up with your heat, with your noise, with your dirt, overdo me

     Let me dance to your beat, make it loud. let it hurt, run it through me

     Don't hold back you are certain to impress

     Tell the driver this is where I'm staying



     Hello Buenos Aires!

     Get this--just look at me, dressed up somewhere to go

     We'll put on a show!



     Take me in at your flood, give me speed, give me lights, set me humming

     Shoot me up with your blood, wine me up with your nights, watch me coming

     All I want is a whole lot of excess

     Tell the singer this is where I'm playing



     Stand back Buenos Aires!

     Because you ought to know what'cha gonna get in me

     Just a little touch of star quality!



     And if ever I go too far

     It's because of the things you are

     Beautiful town--I love you

     And if I need a moment's rest

     Give your lover the very best

     Real eiderdown--and silence



     You're a tramp, you're a treat, you will shine to the death, you are shoddy

     But you're flesh, you are meat, you shall have every breath in my body

     Put me down for a lifetime of success

     Give me credit--I'll find ways of paying



     Rio de la Plata! Florida! Corrientes! Nueve de Julio!

     All I want to know!



     Stand back Buenos Aires!

     Because you oughta know what'cha gonna get in me

     Just a little touch of

     Just a little touch of

     Just a little touch of star quality!



     5. ANOTHER SUITCASE IN ANOTHER HALL

     (Eva after being turned down for a part at an audition)



     EVA

     I don't expect my love affairs to last for long

     Never fool myself that my dreams will come true

     Being used to trouble I anticipate it

     But all the same I hate it--wouldn't you?

     So what happens now?



     CHÈ

     Another suitcase in another hall



     EVA

     So what happens now?



     CHÈ

     Take your picture off another wall



     EVA

     Where am I going to?



     CHÈ

     You'll get by, you always have before



     EVA

     Where am I going to?



     Time and time again I've said that I don't care

     That I'm immune to gloom, that I'm hard through and through

     But every time it matters all my words desert me

     So anyone can hurt me--and they do

     So what happens now?



     CHÈ

     Another suitcase in another hall



     EVA

     So what happens now?



     CHÈ

     Take your picture off another wall



     EVA

     Where am I going to?



     CHÈ

     You'll get by you always have before



     EVA

     Where am I going go?



     Call in three months time and I'll be fine I know

     Well maybe not that fine, but I'll survive anyhow

     I won't recall the names and places of each sad occasion

     But that's no consolation--here and now

     So what happens now?



     LADIES

     Another suitcase in another hall



     EVA

     So what happens now?



     LADIES

     Take your picture off another wall



     EVA

     Where am I going to?



     LADIES

     You'll get by, you always have before



     EVA

     Where am I going to?



     PHOTOGRAPHER

     Don't ask anymore



     6. GOODNIGHT AND THANK YOU



     CHÈ

     Goodnight and thank you whoever

     She's in every magazine, been photographed, seen

     She is known

     We don't like to rush but your case has been packed

     If she's missed anything

     You could give us a ring

     But we don't always answer the phone



     EVA

     Oh but its sad when a love affair dies

     But we have pretended enough.

     It's best that we both stop fooling ourselves.



     CHÈ

     Which means-(hand gesture)



     CHÈ and EVA

     There is no-one, no-one at all

     Never has been and never will be a lover

     Male or female

     Who hasn't an eye on

     In fact they rely on

     Tricks they can try on

     Their partner

     They're hoping their lover will help them or keep them

     Support them, promote them

     Don't blame them

     You're the same



     CHÈ (To EMILIO)

     Goodnight and thank you Emilio

     You've completed your task, what more could we ask

     Of you now?

     Please sign the book on your way out the door

     That will be all

     If she needs you we'll call

     But I don't think that's likely somehow



     EVA

     Oh but it's sad when a love affair dies

     But when we were hot we were hot

     I know you'll look back on the good times we've shared



     CHÈ

     Which means..(hand gesture)



     CHÈ, EVA, EVA's FIRST LOVER

     There is no-one, no-one at all

     Never has been and never will be a lover

     Male or female

     Who hasn't an eye on

     In fact they rely on

     Tricks they can try on

     Their partner

     They're hoping their lover will help them or keep them

     Support them, promote them

     Don't blame her, you're the same



     GENERIC SINGERS

     There is no soap, no soap like ZAZ,

     No detergent, lotion or oil with such power,

     In the shower.

     It's the mother and father of luxury lava,

     The talk of the bath, the great ointment

     One little frolic with new ZAZ carbolic

     You scent it, you'll be sent.



     CHÈ (To EVA's SECOND LOVER)

     Goodnight and thank you whoever

     We are grateful you found her a spot on the sound radio

     We'll think of you every time she's on the air

     We'd love you to stay

     But you'd be in the way

     So do up your trousers and go



     EVA

     Oh but it's sad when a love affair dies

     The decline into silence and doubt

     Our passion was just too intense to survive



     CHÈ

     Which means.. (hand gesture)



     (By now a fairly long line of EVA's rejected LOVERS

     has formed)



     FORMER LOVERS

     This is a club I should never have joined

     Someone has made us look fools

     Argentine men call the sexual shots

     Someone has altered the rules



     EVA

     Fame on the wireless as far as it goes

     Is all very well, but every girl knows



     CHÈ

     She needs a man she can monopolize

     With fingers in dozens of different pies-



     LOVERS

     Oh but it's sad when a love affair dies



     7. THE LADY'S GOT POTENTIAL



     CHÈ

     In June of '43 there was a military coup

     Behind it was a gang called the GOU

     Who did not feel the need to be elected.



     They had themselves a party at the point it began

     They were slightly to the right of Atilla the Hun

     A bomb or two and very few objectives.



     Yea.. Just one shove and government's fall like flies

     Ka-pow, die

     They stumble and fall

     Bye, Bye

     Back's to the wall

     And high

     We're having a ball

     The tank and bullet ruled as democracy dies.



     The lady's got potential

     She was setting her sights

     On making it in movies with her name in lights

     The greatest social climber since Cinderella



     Okay she couldn't act

     But she had the right friends

     And we all now a career depends

     On knowing the right fellow

     To be stellar



     Yea .. Just one shell and government's

     Lose their nerve

     Ka-pow, die

     They stumble and fall

     Bye, Bye

     Back's to the wall

     And high

     We're having a ball

     That's how we get the government we deserve.



     Now the man behind the president

     Calling the shots

     Involved always greatly in a lot

     Of their plots

     Was Colonel Juan Peron,

     Would-be dictator



     He began in the army out in Italy so..

     Saw Mussolini's rises

     from the very front row

     I reckon he'll do

     likewise sooner or later.



     Yea .. Just one blast and the tear gas

     Falls like rain

     Ka-pow, die

     They haven't a chance

     Bye, Bye

     The terrorists advance

     But one guy

     Doesn't dirty his hands

     Peron was biding time

     Out in the slow lane



     Yea.. Suddenly an earthquake hit

     The town of San Juan

     Ka-pow, die

     They stumble and fall

     Bye, Bye

     Keep away from the wall

     But one guy

     Was having a ball

     The tragedy a golden chance

     For Peron



     He organized a concert

     With incredible flair

     In aid of all the victims

     Such a grand affair

     Politicians, actors, stars

     Of every flavor



     It was January 22nd, 1944

     A night to remember

     Yea, that's for sure

     For that's the night that Peron

     First met Eva

     For that's the night that Peron

     First met Eva



     8. THE CHARITY CONCERT



     (Backstage at the Luna Park Stadium. EVA by now a

     successful actress, and PERON, by now one of the most

     powerful men in the military government, are both

     present. EVA's old friend MAGALDI is finishing his act

     on stage.



     MAGALDI

     On this night...

     On this night...

     On this night of a thousand stars

     Let me take you to heaven's door

     Where the music of love's guitars

     Plays for evermore!



     (MAGALDI comes off stage and runs into EVA)



     EVA

     Magaldi?



     MAGALDI

     Eva Duarte.



     EVA

     You're act hasn't changed much.



     MAGALDI

     Neither has yours



     (MAGALDI leaves. The crowd begins to call for PERON.

     PERON pushes his way onto the stage.)



     PERON

     I stand here as a servant of the people!

     As we come together, for a marvelous cause

     You've shown by your presence, your deeds and applause

     What the people can do, true power is yours,

     Not the government's, unless it represents the people!



     9. THE ART OF THE POSSIBLE



     CHÈ

     Juan always picks

     The easy fight

     Juan praises fools

     Juan smothers light

     Juan shifts from left to right

     Politics the art of the possible



     10. I'D BE SURPRISINGLY GOOD FOR YOU



     (PERON leaves the stage and finds himself face to face with

     EVA)



     EVA

     Colonel Peron?



     PERON

     Eva Duarte?



     EVA and PERON

     I've heard so much about you!

     I'm amazed for I'm only an actress (a soldier)

     Nothing to shout about (One of the thousands)

     Only a girl on the boards (Defending the country he loves)



     EVA

     But when you act, the things you do affect us all



     PERON

     But when you act, you take us away from the squalor of

     The real world--Are you here on your own?



     EVA

     Yes, Oh Yes



     PERON

     So am I--what a fortunate coincidence. Maybe you're my

     Reward for my efforts here tonight



     EVA

     It seems crazy but you must believe

     There's nothing calculated, nothing planned

     Please forgive me if I seem naive

     I would never want to force your hand

     But please understand

     I'd be good for you



     I don't always rush in like this

     Twenty seconds after saying hello

     Telling strangers I'm too good to miss

     If I'm wrong I hope you'll tell me so

     But you really should know

     I'd be good for you

     I'd be surprisingly good for you

     I won't go on if I'm boring you

     But do you understand my point of view

     Do you like what you hear, what you see, and would

     you be

     Good for me too?



     I'm not talking of a hurried night

     A frantic tumble then a shy goodbye

     Creeping home before it gets too light

     That's not the reason that I caught your eye

     Which has to imply

     I'd be good for you

     I'd be surprisingly good for you



     PERON

     Please go on--you enthrall me!

     I can understand you perfectly

     And I like what I hear, what I see, and knowing me

     I would be good for you too



     EVA

     I'm not talking of a hurried night

     A frantic tumble then a shy goodbye

     Creeping home before it gets too light

     That's not the reason that I caught your eye

     Which has to imply

     I'd be good for you

     I'd be surprisingly good for you



     11. HELLO AND GOODBYE

     (EVA and PERON arrive at PERON's apartment.

     PERON's 16 year-old MISTRESS is in bed.)



     EVA

     Hello and goodbye!

     I've just unemployed you

     You can go back to school--you had a good run

     I'm sure he enjoyed you

     Don't act sad or surprised, let's be friends, civilized

     Come on little one!

     Don't sit there like a dummy!

     The day you knew would arrive is here--you'll survive

     So move, funny face!

     I like your conversation--you've a catchy turn of phrase

     You're obviously going through some adolescent phase



     MISTRESS

     So What happens now

     So what happens now

     Where am I going to?



     PERON

     You'll get by you always have before



     MISTRESS

     Where am I going to?



     EVA

     Don't ask anymore.



     12. PERON'S LATEST FLAME



     CHÈ

     At the watering-holes of the well-to-do

     I detect a resistance to..



     ARISTOCRATS

     Precisely!



     CHÈ

     ...our heroine's style



     ARISTOCRATS

     We're glad you noticed



     CHÈ

     The shooting sticks of the upper class



     ARISTOCRATS

     Give her an inch...



     CHÈ

     Aren't supporting a single ass

     That would rise for the girl



     ARISTOCRATS

     ...she'll take a mile



     Such a shame she wandered into our enclosure

     How unfortunate this person has forced us to be blunt

     No, we wouldn't mind seeing her in Harrod's

     But behind the jewelry counter--not in front



     CHÈ

     Could there be in our fighting corps

     A lack of enthusiasm for...



     ARMY

     Exactly!



     CHÈ

     ...Peron's latest flame?



     ARMY

     You said it brother



     CHÈ

     Should you wish to cause great distress

     In the tidiest officer's mess

     Just mention her name



     ARMY

     That isn't funny!



     Peron is a fool, breaking every taboo

     Installing the girl in the army H.Q.

     And she's an actress! The last straw

     Her only good parts are between her thighs

     She should stare at the ceiling, not reach for the skies

     Or she could be his last whore

     The evidence suggests

     She has other interests

     If it's her who's using him

     He's exceptionally dim

     Bitch!

     Dangerous Jade!



     ARISTOCRATS

     We have allowed ourselves to slip

     We have completely lost our grip

     We have declined to an all-time low

     Tarts have become the set to know



     EVA

     I am only a radio star

     With just one weekly show

     But speaking as one of the people

     I want you to know

     We are tired of, the decline of

     Argentina, with no sign of

     A government able to give us the things we deserve.



     ARMY

     It's no crime for officers to do as they please

     As long as they're discreet and keep clear of disease

     We ignore, we disregard

     But once they allow a bit on the side

     To move to the center where she's not qualified

     We are forced to discard

     She should get into her head

     She should not get out of bed

     She should know that she's not paid

     To be loud but to be laid

     Slut!

     Dangerous Jade!



     (EVA, the glamorous movie star, enters,

     flanked by HEAVIES.)



     CHÈ (in the guise of a reporter)

     This has really been your year Miss Duarte

     Tell us where you go from here Miss Duarte

     Which are the roles that you yearn to play

     Whom did you sleep--dine with yesterday?



     EVA

     Acting is limiting, the lines not mine

     That's no help to the Argentine



     CHÈ

     Can we assume then that you'll quit? Is this because of

     your involvement with Colonel Peron?



     HEAVIES

     Goodnight and thank you



     (They push CHÈ aside and EVA out)



     ARMY

     She won't be kept happy by her nights on the tiles

     She says it's his body but she's after his files

     So get back onto the street!

     She should get into her head

     She should not get out of bed

     She should know that she's not paid

     To be loud but to be laid

     The evidence suggests

     She has other interests

     If it's her who's using him

     He's exceptionally dim



     ARISTOCRATS

     Things have reached a pretty pass

     When someone pretty lower class

     Graceless and vulgar, uninspired

     Can be accepted and admired



     13. A NEW ARGENTINA



     PERON

     Dice are rolling, the knives are out

     Would be presidents are all around

     I don't say they mean harm, but they'd each give an arm

     To see us six feet under ground



     EVA

     It doesn't matter what those morons say

     Our nation's leaders are a feeble crew

     There's only twenty of them anyway

     What is twenty next to millions who

     Are looking to you?



     All you have to do is sit and wait

     Keeping out of everybody's way

     We'll--you'll be handed power on a plate

     When the ones who matter have their say

     And with chaos installed

     You can reluctantly agree to be called



     PERON

     There again we could be foolish

     Not to quit while we're ahead

     For distance lends enchantment

     And that is why

     All exiles are distinguished

     More important they're not dead

     I could find job satisfaction

     In Paraguay



     EVA

     This is crazy defeatist talk

     Why commit political suicide?

     There's no risk, there's no call

     For any action at all

     When you have unions on your side



     EVERYONE ON STAGE

     A new Argentina!

     The chains of the masses untied!

     A new Argentina!

     The voice of the people cannot be denied!



     EVA

     There is only one man who can lead any workers' regime

     He lives for your problems, he shares your ideals and your dreams

     He supports you for he loves you, understands you, is one of you

     If not--how could he love me?



     EVERYONE ON STAGE

     A new Argentina!

     The workers' battle song!

     A new Argentina!

     The voice of the people rings out loud and long!



     EVA

     Now I am a worker I've suffered the way that you do

     I've been unemployed and I've starved and I hated it too

     But I found my salvation in Peron--may the nation

     Let him save them as he saved me



     EVERYONE ON STAGE

     A new Argentina!

     A new age about to begin!

     A new Argentina!

     We face the world together and no dissent within



     PERON

     There again we could be foolish

     Not to quit while we're ahead

     I can see me many miles away

     Inactive

     Sipping cocktails on a terrace

     Taking breakfast in bed

     Sleeping easy, doing crosswords

     It's attractive



     EVA

     Don't think I don't think like you, I often get those nightmares too

     They always take some swallowing

     Sometimes it's very difficult to keep momentum if

     It's you that you are following

     Don't close doors

     Keep an escape clause

     Because we might lose

     The Big Apple

     But--would I have done, what I did

     If I hadn't thought, if I hadn't known

     We would take the country?



     EVA

     Peron has resigned from the army and this we avow

     The descamisados are those he is marching with now!

     He supports you for he loves you, understands you, is one of you

     If not--how could he love me?



     ALL

     A new Argentina!

     The chains of the masses untied!

     A new Argentina!

     The voice of the people cannot be, and must not be denied!



     CHÈ

     How annoying that they have to

     Fight elections for their cause

     The inconvenience having to get a majority

     If normal methods of persuasion

     Fail to bring them applause

     There are other ways of establishing authority.



     ALL

     A new Argentina!

     The chains of the masses untied!

     A new Argentina!

     The voice of the people cannot be, and must not be, and will not be denied!



     END OF ACT ONE



     ACT TWO



     14. ON THE BALCONY OF THE CASA ROSADA / DON'T CRY FOR ME ARGENTINA



     (PERON has just won a sweeping victory in the 1946

     Presidential Election. This is the first public appearance

     by PERON and EVA since that triumph. Action takes

     place both inside and outside on the balcony of the Casa

     Rosada - the pink Presidential Palace in Buenos Aires.)



     ANNOUNCER

     People of Argentina! Your newly elected President--

     Juan Peron!



     (The CROWD begins to chant "Peron! Peron!")



     PERON

     Argentinos! Argentinos! We are all workers now!

     Fighting against our common enemies--

     Poverty, social injustice, foreign domination of our industries!

     Reaching for our common goals--

     Our independence, our dignity, our pride!

     Let the world know that our great nation is awakening

     And that its heart beats in the humble bodies of Juan

     Peron--and his wife, the first lady of Argentina,

     Eva Duarte de Peron!



     (The CROWD by now are beginning to chant

     "Evita! Evita!")



     EVA

     It won't be easy, you'll think it strange

     When I try to explain how I feel

     That I still need your love after all that I've done

     You won't believe me

     All you will see is a girl you once knew

     Although she's dressed up to the nines

     At sixes and sevens with you



     I had to let it happen, I had to change

     Couldn't stay all my life down at heel

     Looking out of the window, staying out of the sun

     So I chose freedom

     Running around trying everything new

     But nothing impressed me at all

     I never expected it to



     Don't cry for me Argentina

     The truth is I never left you

     All through my wild days

     My mad existence

     I kept my promise

     Don't keep your distance



     And as for fortune, and as for fame

     I never invited them in

     Though it seemed to the world they were all I desired

     They are illusions

     They are not the solutions they promised to be

     The answer was here all the time

     I love you and hope you love me



     Don't cry for me Argentina...



     (EVA breaks down; the CROWD takes up her tune, humming)



     EVA

     Don't cry for me Argentina

     The truth is I never left you

     All through my wild days

     My mad existence

     I kept my promise

     Don't keep your distance



     Have I said too much? There's nothing more

     I can think of to say to you

     But all you have to do is look at me to know

     That every word is true



     (The CROWD is ecstatically enthusiastic; EVA goes

     inside from the balcony)



     Just listen to that! The voice of Argentina!

     We are adored! We are loved!



     OFFICER

     Statesmanship is more than entertaining peasants



     EVA (EVA's MOTHER)

     We shall see, little man



     CROWD

     Evita Peron! La Santa Peronista!

     Evita Peron! La Santa Peronista!

     Evita Peron! La Santa Peronista!



     (EVA goes back onto the balcony)



     EVA

     I am only a simple woman who lives to serve Peron in his

     Noble crusade to rescue his people! I was once as you are

     Now and I promise you this we will take these riches from the

     Oligarchs only for you--for all of you! One day you too will

     Inherit these treasures! Descamisados! Miscompaneros!

     When they fire those cannons,

     When the crowds sing of glory, it is not just for Peron,

     But for all of us! All of us!



     ARISTOCRATS (mocking applause)

     Things have reached a pretty pass

     When someone pretty lower class

     Can be accepted and admired-



     ARISTOCRAT

     But our privileged class is dead! Look who they are calling for now!



     15. HIGH FLYING, ADORED



     CHÈ

     High flying, adored, so young, the instant queen, a

     Rich beautiful thing of all the talents, a cross between a

     Fantasy of the bedroom and a saint

     And you were just a backstreet girl

     Hustling and fighting

     Scratching and biting

     High flying, adored, did you believe in your wildest moments

     All this would be yours, that you'd become the lady of them all?

     Were there stars in your eyes when you crawled in at night

     From the bars, from the sidewalks

     From the gutter theatrical?

     Don't look down, it's a long long way to fall



     High flying, adored, what happens now, where do you go from here?

     For someone on top of the world, the view's not exactly clear

     A shame you did it all at twenty-six

     There are no mysteries now

     Nothing can thrill you

     No-one fulfill you

     High flying, adored, I hope you come to terms with boredom

     So famous, so easily, so soon, is not the wisest thing to be

     You won't care if they love you, it's been done before

     You'll despair if they hate you

     You'll be drained of all energy

     All the young who've made it would agree



     EVA

     High flying, adored, that's good to hear but unimportant,

     My story's quite usual, local girl makes good, weds famous man

     I was slap in the right place at the perfect time

     Filled a gap--I was lucky

     But one thing I'll say for me

     No-one else can fill it like I can



     16. RAINBOW HIGH



     EVA

     There again, I have more to do than

     Simply get the message through,

     I haven't started!

     Let's get this show on the road

     Let's make it obvious

     Peron is off and rolling



     EVA's DRESSERS

     Eyes! Hair! Mouth! Figure! Dress! Voice! Style!

     Movement! Hands! Magic! Rings! Glamour! Face!

     Diamonds! Excitement! Image!



     EVA

     I came from the people

     They need to adore me

     So Christian Dior me

     From my head to my toes

     I need to be dazzling

     I want to be Rainbow High!

     They must have excitement

     And so must I



     EVA's DRESSERS

     Eyes! Hair! Mouth! Figure! Dress! Voice! Style! Movement!



     EVA

     I'm their product

     It's vital you sell me

     So Machiavell-me

     Make an Argentine Rose!

     I need to be thrilling

     I want to be Rainbow High!

     They need their escape

     And so do I



     EVA's DRESSERS

     Eyes! Hair! Mouth! Figure! Dress! Voice! Style!

     Movement! Hands! Magic! Rings! Glamour! Face!

     Diamonds! Excitement! Image!



     EVA

     All my descamisados expect me to outshine the enemy--

     I won't disappoint them!



     I'm their savior!

     That's what they call me

     So Lauren Bacall me

     Anything goes

     To make me fantastic

     I have to be Rainbow High

     In magical colors--



     You're not decorating a girl for a night on the town!

     And I'm not a second-rate queen getting kicks with a crown!

     Next stop will be Europe!

     The Rainbow's gonna tour

     Dressed up, somewhere to go

     We'll put on a show!

     Look out, mighty Europe!

     Because you oughta know what'cha gonna get in me

     Just a little touch of

     Just a little touch of

     Argentina's brand of

     Star quality!



     17. RAINBOW TOUR



     PERON

     People of Europe! I send you the Rainbow of Argentina!



     CHÈ

     Spain has fallen to the charms of Evita

     She can do what she likes--it doesn't matter much



     OFFICERS

     She's our Lady of the New World with the golden touch

     She filled a bull-ring--forty-five thousand seater



     CHÈ

     But if you're prettier than General Franco

     That's not hard



     OFFICERS

     Franco's reign in Spain should see out the forties

     So you've just acquired an ally who

     Who looks as secure in his job as you

     More important, current political thought is

     Your wife's a phenomenal asset

     Your trump card



     PERON and OFFICERS

     Let's hear it for the Rainbow Tour

     It's been an incredible success

     We weren't quite sure, we had a few doubts



     CHÈ

     Would Evita win through?



     PERON and OFFICERS

     But the answer is yes!



     PERON

     There you are, I told you so

     Makes no difference where she go

     The whole world over--just the same

     Just listen to them call her name

     And who would underestimate the actress now?



     CHÈ

     Now I don't like to spoil a wonderful story

     But the news from Rome isn't quite as good

     She hasn't gone down like we thought she would

     Italy's unconvinced by Argentine glory

     They equate Peron with Mussolini

     Can't think why



     EVA (in Italy)

     Did you here that?

     They called me a whore!

     They actually called me a whore!



     AN ITALIAN ADMIRAL

     But Signora Peron--

     It's an easy mistake

     I'm still called an admiral

     Yet I gave up the sea long ago



     OFFICERS

     More bad news from Rome she met with the Pope

     She only got a rosary, a kindly word



     CHÈ     

     I wouldn't say the Holy father gave her the bird

     But papal decoration's never a hope



     OFFICERS

     She still looked the part at St. Peter's

     Caught the eye



     PERON and OFFICERS

     Let's here it for the Rainbow Tour

     It's been an incredible success

     We weren't quite sure, we had a few doubts



     CHÈ

     Would Evita win through?



     PERON and OFFICERS

     But the answer is--



     CHÈ

     A qualified--



     PERON and OFFICERS

     Yes!



     CHÈ

     Eva started well, no question, in France

     Shining like the sun through the post-war haze

     A beautiful reminder of the carefree days

     She nearly captured the French, she sure had the chance

     But she suddenly seemed to lose interest

     She looked tired



     Face the facts, the Rainbow's starting to fade

     I don't think she'll make it to England now



     OFFICER

     It wasn't on the schedule anyhow



     CHÈ

     You'd better get out the flags and fix a parade

     Some kind of coming home in triumph

     Is required



     PERON and OFFICERS

     Let's here it for the Rainbow Tour

     It's been an incredible success

     We weren't quite sure, we had a few doubts

     Would Evita win through?



     CHÈ

     And the answer is--



     PERON and OFFICERS

     Yes



     CHÈ

     And no



     PERON and OFFICERS

     And yes



     CHÈ

     And no



     PERON and OFFICERS

     And yes...

     

     CHÈ

     No



     OFFICERS

     Let's here it for the Rainbow Tour

     It's been an incredible success

     We weren't quite sure, we had a few doubts

     Would Evita win through?

     And the answer is--yes.

     Yes.

     Yes?



     18. THE ACTRESS HASN'T LEARNED

     (THE LINES YOU'D LIKE TO HEAR)



     ARISTOCRACY

     Thus all fairy stories end

     Only an actress would pretend

     Affairs of state are her latest play

     Eight shows a week two matinees

     My how the worm begins to turn

     When will the chorus girl ever learn?

     My how the worm begins to turn

     When will the chorus girl ever learn?



     EVA

     The chorus girl hasn't learned the lines you'd like to hear

     She won't be scrambling over the backs of the poor to be accepted

     By making donations--just large enough--to the correct charity

     She won't be president of your wonderful societies of philanthropy

     Even if you asked her to be

     As you should have asked her to be



     The actress hasn't learned the lines you'd like to hear

     She won't join your clubs, she won't dance in your halls

     She won't help the hungry once a month at your tombolas

     She'll simply take control as you disappear



     CHÈ

     Forgive my intrusion but fine as those sentiments sound

     Little has changed for us peasants down here on the ground

     I hate to sound childish, ungrateful, I don't like to moan

     But do you now represent anyone's cause but your own?



     EVA

     Everything done will justified by my Foundation



     19. AND THE MONEY KEPT ROLLING IN (AND OUT)



     CHÈ

     And the money kept rolling in from every side..



     Eva's pretty hands reached out and they reached wide

     Now you may feel it should have been a voluntary cause

     But that's not the point my friends

     When the money keeps rolling in you don't ask how

     Think of all the people guaranteed a good time now

     Eva's called the hungry to her--open up the doors!

     Never been a fund like the Foundation Eva Peron!



     WORKERS

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Rollin' on in

     Rollin' on in

     Rollin' on in

     Rollin' on in

     Rollin' in



     CHÈ

     Would you like to try a college education?

     Own your landlord's house, take the family on vacation?

     Eva and her blessed Fund can make your dreams come true

     Here's all you have to do my friends

     Write your name and your dream on a card or a pad or a ticket

     Throw it high in the air and should our lady pick it

     She will change your way of life for a week or even two

     Name me anyone who cares as much as Eva Peron!



     WORKERS

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' out



     CHÈ

     And the money kept rolling out in all directions

     To the poor to the weak to the destitute of all complexions

     Now cynics claim a little of the cash has gone astray

     But that's not the point my friends

     When the money keeps rolling out you don't keep books

     You can tell you've done well by the happy grateful looks

     Accountants only slow things down, figures get in the way

     Never been a lady loved as much as Eva Peron!



     WORKERS

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' out



     CHÈ

     Eva..



     When the money keeps rolling out you don't keep books

     You can tell you've done well by the happy grateful looks

     Accountants only slow things down, figures get in the way

     Never been a lady loved as much as Eva Peron!



     WORKERS

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Money money money

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' on out

     Rollin' out



     EVA (speech)

     Peron is everything. He's the soul, the nerve,

     The hope, and the reality of the Argentine people!

     We all know that there is only one man in our

     Movement with his own source of light

     We all feed from his light and that is Peron!



     20. SHE IS A DIAMOND



     CHÈ

     And now she wants to be Vice-President.



     OFFICERS

     That was the over the top, unacceptable suggestion

     We didn't approve but we couldn't prevent

     The games of the wife of the President

     But to fill her intentions, encouragement

     Shes out of her depth and out of the question.



     PERON (to OFFICERS)

     But on the other hand--she's all they have

     She's a diamond in their dull gray lives--and that's the

     Hardest kind of stone--it usually survives

     And when you think about it, can you recall

     The last time they loved anyone at all?



     She's not a bauble you can brush aside

     She's been out doing what we just talked about--example

     Gave us back our businesses, got the English out

     And when you think about it--well why not do

     One or two of the things we promised to?



     But on the other hand she's slowing down

     She's lost a little of that magic drive--but I would

     Not advise those critics present to derive

     Any satisfaction from her fading star

     She's the one who's kept us where we are



     OFFICERS

     She's the one who's kept you where you are



     21. SANTA EVITA



     CHILDREN

     Please, gentle Eva, will you bless a little child?

     For I love you--tell Heaven I'm doing my best

     I'm praying for you, even though you're already blessed

     Please, mother Eva, will you look upon me as your own?

     Make me special, be my angel, be my everything wonderful perfect and true

     And I'll try to be exactly like you

     Please, holy Eva, will you feed a hungry child?

     For I love you--

      

     CHÈ

     Turn a blind eye, Evita.

     Turn a blind eye

      

     CHILDREN

     --Tell Heaven I'm doing my best...

     Im praying for you even though you're already blessed

      

     CROWD

     Santa Santa Evita

     Madre de todos los ninos

     De los tiranizados

     De los descamisados

     De los trabajadores

     De la Argentina

      

     Santa Santa Evita

     Madre de todos los ninos

     De los tiranizados

     De los descamisados

     De los trabajadores

     De la Argentina

  

     CHÈ

     I tried to warn a country when you can become a saint!



     22. WALTZ FOR EVA AND CHÈ



     CHÈ

     Tell me before I waltz out of your life

     Before turning my back on the past

     Forgive my impertinent behavior

     But how long do you think this pantomime can last?

     Tell me before I ride off in the sunset

     There's one thing I never got clear

     How can you claim you're our savior

     When those who oppose you

     Are stepped on, or cut up, or simply disappear?



     EVA

     Tell me before you get onto your bus

     Before joining the forgotten brigade

     How can one person like me, say,

     Alter the time-honored way the game is played?

     Tell me before you get onto your high horse

     Just what you expect me to do

     I don't care what the bourgeoisie say

     I'm not in business for them but to give all my descamisados

     A magical moment or two



     CHÈ and EVA

     There is evil, ever around, fundamental

     System of government quite incidental



     EVA

     So what are my chances

     Of honest advances?

     I'd say low

     Better to win

     By admitting my sin

     Than to lose with a halo



     CHÈ

     Tell me before I seek worthier pastures

     And thereby restore self-esteem

     How can you be so short-sighted

     To look never further than this week or next week

     To have no impossible dream?



     EVA

     Allow me to help you slink off to the sidelines

     And mark your adieu with three cheers

     But first tell me who'd be delighted

     If I said I'd take on

     The world's greatest problems

     From war to pollution?

     No hope of solution

     Even if I lived for one hundred years



     CHÈ and EVA

     There is evil, ever around, fundamental

     System of government quite incidental



     EVA

     So go, if you're able

     To somewhere unstable

     And stay there

     Whip up your hate

     In some tottering state

     But not here, dear

     Is that clear, dear?



     Oh what I'd give for a hundred years!

     But the physical interferes

     Every day more--O my Creator!

     What is the good of the strongest heart

     In a body that's falling apart?

     A serious flaw--I hope You know that



     23. YOUR LITTLE BODY'S SLOWLY BREAKING DOWN



     PERON

     Your little body's slowly breaking down

     You're losing speed, you're losing strength--not style--

     That goes on flourishing forever, but your eyes, your smile

     Do not have the sparkle of your fantastic past

     If you climb one more mountain it could be your last



     EVA

     I'm not that ill--bad moments come but they go

     Some days are fine, some a little bit harder

     But that doesn't mean

     We should give up our dream

     Have you ever seen

     Me defeated?

     Don't you forget what I've been through and yet

     I'm still standing



     PERON (spoken)

     Eva, you are dying.



     EVA

     So what happens now

     Where am I going to?



     PERON

     Don't ask anymore



     24. YOU MUST LOVE ME



     EVA

     Where do we go from here?

     This isn't where we intended to be.

     We had it all, you believed in me

     I believed in you



     Certainties disappear

     What do we do for our dream to survive?

     How do we keep all our passions alive

     As we used to do?



     Deep in my heart I'm concealing

     Things that I'm longing to say

     Scared to confess what I'm feeling

     Frightened you'll slip away



     You must love me.

     You must love me.



     Why are you at my side?

     How can I be any use to you now?

     Give me a chance and I'll let you see how

     Nothing has changed



     Deep in my heart I'm concealing

     Things that I'm longing to say

     Scared to confess what I'm feeling

     Frightened you'll slip away



     You must love me.

     You must love me.

     You must love me.



     25. EVA'S FINAL BROADCAST



     EVA

     The actress hasn't learned the lines you'd like to hear

     She's sad for her country

     Sad to be defeated by her own weak body



     (a microphone is switched on--she is now on the air)



     I want to tell the people of Argentina

     I've decided I should decline

     All the honors and titles you've pressed me to take

     For I'm contented--let me simply go on

     As the woman who brings her people to the heart of

     Peron!



     Don't cry for me Argentina

     The truth is I shall not leave you

     Though it may get harder

     For you to see me

     I'm Argentina

     And always will be



     Have I said too much? There's nothing more I can think of to say to you

     But all you have to do is look at me to know that every word is true



     26. LATIN CHANT



     CHOIR

     Respice, quaesumus, Domine

     Famulam tuam Evita

     In infirmitate

     Et animam refove, quam creasti

     Ut castigationibus emendata

     Se tua sentiat medicina salvatam

     Per Christum, Dominuum

     Qui vivit et regnat

     Per omnia saecula saeculorum

     Amen

    

     CHÈ

     She had her moments, she had some style

     The best show in town was the crowd

     Outside the Casa Rosada crying, "Eva Peron"

     But that's all gone now



     27. LAMENT



     EVA

     The choice was mine and mine completely

     I could have any prize that I desired

     I could burn with the splendor of the brightest fire

     Or else--or else I could choose time

     Remember I was very young then

     And a year was forever and a day

     So what use could fifty, sixty, seventy be?

     I saw the lights and I was on my way



     And how I lived! How they shone!

     But how soon the lights were gone!



     CHÈ

     The choice was yours and no one else's

     You can cry for a body in despair

     Hang your head because she is no longer there

     To shine, to dazzle, or betray

     How she lived,How she shined

     But how soon the lights were gone.



     ELMBALMERS

     Eyes, Hair, Face, Image

     All must be preserved.

     Still life displayed forever.

     No less than she deserved.



     THE END















Donated by SergeiK